Page 81
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The cellar of the beach gives way to the factory world, where the Collonell imagines escaping labor through hauling and construction.
The page moves from the pier's dark underworld into industrial resentment. The Collonell's fantasy of trucks, workers, bids, and a backer turns work into both trap and imagined exit, while his profanity keeps the pressure bodily and immediate.
Under the pier the wood poles are 'wound in places with black seaweed,' 'The cellar of the beach. A place for mischief kids, and underworld characters,' and Animal turns 'for his run.' The narrative cuts inland to 'the lower Alameda street factory section, Friday; 3:30,' 'Ducommon Metal and Supply,' where the buzzer sounds and 'The Collonell is restless.' He plans to escape - 'Trash hauling, and then slowly build up into construction,' tapping 'street and bar people' for a 'Good labor force,' but 'first; a backer.' He curses his way out: 'I've been working like a mother fucker ... Work; get drunk. Take care of the lost crazies. I can't even get a cold beer.'