Page 89
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Jauquline turns the monk father's polished prayer language back toward class comfort, Los Angeles, and the question of who gets to preach from safety.
The page sharpens the satire from the prior scene. Her cloud-and-fairyland attention already exceeds his monument, and her questions expose how spiritual authority can be staged from property, class, and distance from the city it judges.
As the monk gestures to 'the monolith of modern prayer,' Jauquline's eyes are 'on white puffed clouds crossing between the sun and a religious fairyland,' and her 'faint laugh' provokes his fantasy of 'cherubs and nymphs descending through the clouds' with 'brass horns' - which he dismisses as 'her spiteful spirit.' His boast that 'our montrum is perhaps the most dedicated voice to God in Los Angeles' draws her real scorn: 'Do you think you are the only one who prays in L.A? And in this unholy city, where did you get your upper middle class home to do it from?' When he cites 'Yogananda' that 'Karma is the place one accepts and acts from without guilt,' she throws it back - why preach when she 'accept[s] my place in the world'?