Page 90
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Jaugeline rejects spiritual condescension, walks away with physical poise, and the scene cuts to a narrow Santa Monica Canyon beer bar.
The page lets Jaugeline's argument become bodily movement: she refuses the sermon, claims her own place, and is then seen walking away with line, sway, and force. The bar setting shifts the narrative back toward a rougher social world after the spiritual-center exchange.
The argument closes with her refusals: 'I am not interested in living here any more than I would be interested in living with Beverly Hills gossip'; against his warning that she 'may die on drugs,' she answers 'Nonsense; I am a healthy woman.' He watches her walk away 'tall and slender,' her 'simple street dress' giving 'line,' 'the graceful squared bending of her shoulders; A round Counterpoint to her sway,' her legs 'more beautifull than the stomach of Budda.' The scene then cuts to 'A beer bar in the Santa Monica Canyon. Fairly long, quite narrow,' with 'the old wooden bar,' 'High ceiling and a back exit. 10 o'clock on this Saturday morning.'