Page 90

By Jack Joseph Smith

64 direet our ser out of it?* ‘ “TI see-ny state-of mind as being higher thar yourg, but.I can not bring you te it” “ “T am not’ interested in living here any more ! ' | : Sui Sshroe 3 whistles than. I would be interested in. living with Bey .oely Hille: gossip’, 87 pelieve-you mistake my intentiens.* *You float: im a Hilly werlad plenty interfere ine sf ence, se if I am driven, let.me-venture, in that way with. ny- life," : *But Jaugelines you may die-on drugs; and im . ‘ yeur next lifes you will necessarily begin with. tregedy.* ®Nonsenee; I ax a healthy women,®. : He watered: her-walking away from him through. ‘ ; , sonly the -greunda, She was: pee and dlender, ,and her F . a ES : ' gtreet drese d&é-give-line, There was. the gracen so0nred ful epuntexpeins-ef ttt hee A bon rs Gounterpoint te her sways and her legs were cer A _painly more “beautiful! than the stomach of Buddas ae ¥) i) | =A beer bar in the Santa Monica Canyem Fairly . , J \ leng, quite narrews A few tables and chairs up against the-wall, amd a-slim place for passage : before the-old wooden bar. High ceiling and a- back exit, 10 o'¢loek én this Saturday: mornigs

Original Scan

Page 90

AI Interpretation

GPT

The page moves from moral argument back into physical presence, showing Jaugeline leaving the spiritual scene and re-entering a rougher social world on her own terms.

Her body is described with admiration, but the larger point is agency. She exits the sermonizing atmosphere without surrendering to it, and the shift into the canyon tavern makes her seem aligned with a more dangerous but more honest register of life.

Claude

Jaugeline leaves the spiritual center and returns her argument to the body — the page moves from polemic back into physical presence without softening the critique.