Fast Cars

By Jack Joseph Smith

Did I mettiom Wichita, Kansas Bank of Wichita on one side, Levenworth on the other Zooming along in any early seventies car I remember one hundred and sixty in a Galaxy across Saskatchewan in the summer of nineteen sixty three where you best leave up on it before you were taken, twisted into the distance But I had back track for my few times; took a Thunderbird and a Doge Cornet, sixty five, four hundred between Monroe and Junction City, right and eighty seven at the edge of Oregon's Willimatte Valley It was space in a steering wheel, and Later coliding with the truth

Original Scan

Page 53

AI Interpretation

GPT

A road poem of speed and memory, where geography, machinery, and risk become one long American motion.


Claude

A memory of reckless driving told as casual reminiscence - 'Did I mettiom Wichita, Kansas' - that clocks specific speeds on specific machines: 'one hundred and sixty / in a Galaxy across Saskatchewan / in the summer of nineteen sixty / three,' a Thunderbird and a 'Doge Cornet' run between Monroe and Junction City. It ends by naming the cost of all that velocity: 'It was space in a steering wheel, and Later / coliding with the truth.'

The poem's pleasure is in the proper nouns - towns, model years, route numbers, the Willamette Valley - the inventory of a man who measured his freedom in places he could outrun. The phrase 'before you were taken, twisted into / the distance' makes speed sound like abduction, the road swallowing the driver rather than the driver mastering it. The closing pun is the whole point: 'space in a steering wheel' is both the literal play of the wheel and the open emptiness those drives chased, and 'coliding with the truth' converts the highway danger into a moral reckoning that arrived 'Later.' The misspellings ('mettiom,' 'Doge,' 'coliding') leave the surface as worn and dented as the old cars it remembers.