Just Our Nature
By Jack Joseph Smith
By Jack Joseph Smith
AI Interpretation
A regional poem that sees nature, industry, and politics as one shared system, with beauty always shadowed by extraction and civic damage.
A Western Pennsylvania nature poem that watches autumn arrive over a country where wilderness, suburb, and ruined industry share one ecology. Skies 'back like Nothern California, / or rather like Mohawk' open onto 'the dance of muskrat and deer,' rivers 'keeping coal,' and 'Shut down towns, visual as if whiped by war.' It ends on a guarded civic hope: 'politics, that has finely let us see the stars,' and university monitoring of 'three rivers' to keep chemical contamination 'from coming next.'
The poem's real subject is how a wounded landscape stays beautiful and how its people make peace with that. The line 'there is no sight of plastic and tin cans, / going down with the golden leaves this fall' offers a fragile, almost devotional cleanliness, while 'big steel / ripping livelyhood away with an arm meaner than adjunk' names the violence that emptied the towns. The title cuts two ways at once: this damaged coexistence is merely 'our nature' (simply how we are) and also 'just' in the moral sense, a way of life the speaker defends - 'we accept that type of critism as a way of life.' The closing image of careful 'University tubes' threaded 'through each inch / of the water' turns vigilance itself into the region's modern form of stewardship, beauty now requiring instruments to protect it.