Wayward

By Jack Joseph Smith

Anywhere near sorrow, did I ever dream to watch you sleep Ignoring that which time heaves, over the little things of being female Always a grace with your wonder, beyond game, always an adventure; to where you areg The way you will your seconds, always a knack of astonishment; born inconceiveably first in your face Though I catch your eye, never taking it away again, still I have this proof in my hands; that even against and after your age, you will never have anything to fear, from pain

Original Scan

Page 44

AI Interpretation

GPT

A tender but unsettled address to a woman imagined through wonder, risk, and a promise of endurance against pain.


Claude

A tender address to a woman watched in wonder, structured as a single unfolding admiration. From 'did I ever dream to watch you sleep' it praises 'Always a grace with your wonder, / beyond game, always an adventure' and the 'astonishment; / born inconceiveably first in your face,' before ending on a vow of protection: 'you will never have anything to fear, / from pain.'

The poem's gentleness comes from a gaze that has settled and refuses to move - 'Though I catch your eye, / never taking it away again' - watching as a form of fidelity rather than possession. The phrasing 'the little things of being female' and 'The way you will your seconds' frames her ordinary moments as small acts of will, astonishment renewed second by second. The closing pledge is strange and moving in its overreach: the speaker offers 'proof in my hands' that she will never fear pain 'even against and after your age,' promising the one thing no one can guarantee. The title 'Wayward' hangs lightly over this - whether it names her straying or the off-course tenderness of the speaker's devotion, the poem's affection is precisely a love that has wandered past what it can deliver and means the vow anyway.