Page 115
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Street fighting and police abuse give way to Michael's drunken confession about taking a wealthy woman from her husband and leaving her stranded with children inside a life of money, shame, and false laughter.
The swagger does not disappear, but it sours into guilt and disgust as he talks about the affair and its damage. Booze, mirrors, beds, and hangover isolation replace the earlier combat scenes, making the voice feel more exposed and less triumphant.
Bravado and remorse collide. Stripped 'bare' and worked over 'in a dungeon,' Michael laughs and plays Marlon Brando - 'My old man hits harder than that.' Then the swagger collapses into confessed harm: he 'took the richest of Mount Lebanon girls away from her husband' on New Year's Eve - 'I had no right' - and now 'they will never touch again,' her face left with 'eyes drooping under her streight strands of unsmoothed hair.' He names what it cost: 'I have been her medium for oblivion,' 'I have sinned gravely.' The page ends in the disorientation of dissipation - 'Three days on a drunk and you just can't see yourself begin any kind of beginning.'