Page 142
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Clinging to the rich girl because he cannot bear being alone, the narrator makes lonely trips to New York and the Jersey shore, finds Broadway and the boardwalk dim and used up, feeds himself on Jack London fantasies, and stumbles into acting as another way to keep reality and illusion fused together.
Loneliness is the pressure behind both the romance and the self-mythologizing, so the new life never really breaks cleanly from the old one. Acting arrives less as a disciplined craft than as another form of fire, another place where illusion can keep sensation alive.
He keeps the rich girl close out of a 'need not to be alone' even while 'inside, trying so hard to break away,' comparing himself to 'a cat clinging to a humans coat' whose spirit 'is far away.' Unclear what he is leaving and where he is going, he takes lonely trips to New York and the Jersey shore where 'the lights of Broadway and the boardwalk seemed very dim,' lacking the fire and the deeper lights he knew; he feeds on adventure stories and casts himself so hard as 'Jack / London' that 'reality and illusion moved as a constant through my / brain,' needing the two fused to feel his 'sences live,' before drama study leads to an audition with a professional children's theatre.