Page 162
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Riding in O'Dandy's Cadillac through shabby coal towns, Michael watches stars and black hills slide past while O'Dandy presses him about dreams, misery, and whether he prefers rock and roll, jazz, or symphony.
The car ride opens a strange tenderness inside the rough company, because motion and night let Michael say things he could not say standing still. O'Dandy keeps needling him, but the questions about music and dreams are also a way of testing what kind of life Michael thinks he belongs to.
O'Dandy's theory — if you are aware you have to think of yourself on that level, so awareness itself is bull shit, and when you die you lose your mind — while Murphy loves death as the beady eye of a bird on a falling tree's limb.