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The page sketches a woman's transformation into a monumental but diminished figure, where crossing the line leads not to freedom but to estrangement.

Even in partial form, the emotional trajectory is clear. The draft treats power as something that enlarges and empties at once, leaving the woman turned into symbol and distance rather than recovered intimacy.

`THE STAR` — a woman friend who `crossed the line, but never came back`, turned colossal and undefined; Pyramids that refuse to sink; `power changes its dominion over` before the page cuts off mid-thought.