Page 29

This list page preserves a social field of names, as if the manuscript were keeping track of who belonged to a particular scene.

Pages like this matter because they show memory working archivally instead of lyrically. The names stand almost without explanation, but that bar reference at the end suggests a lived network of places, loyalties, and recognition.

Two short stacks of names: John Plant, Bud Vogal, Denny Phillips, Arthur Onstead, Tommy Forbes, Pete Faville, then Ami Griffin and Benny Kid Peret at the Bar at U.S.C.