The Revolution Of 68

By Jack Joseph Smith

L.A. was as easy as a movie We just visualized and aquired the speech in the language of painting Also drank jugs of red wine in canning jars and Brandy glasses Placed Osly Acid on our tongues And smoked everything except cocaine It didn't belong with the revolution It was accepted at the Country Club where they sniffed it

Original Scan

Page 65

AI Interpretation

GPT

A short recollection of youth, art, drugs, class markers, and rebellion, filtered through Los Angeles and the language of style.

The poem is interested less in nostalgia than in the strange social texture of revolt.

Claude

LA as easy as a movie, speech acquired in the language of painting — the poem remembers 1968 not as political upheaval but as aesthetic transformation, a moment when visualizing and acquiring became the same act. The revolution was not in the streets but in the way perception itself was reorganized.

The past tense ('We just visualized and acquired') places the revolution firmly in memory, giving it the quality of something that cannot be repeated — which may be the poem's quiet elegy for a mode of attention that has since been lost.